My favorite science fiction film wardrobe is worn by David Bowie’s alien, in The Man Who Fell To Earth. He turns up for his first terrestrial business meeting wearing a brand new $1.99 Chinese flannel workshirt, buttoned at the neck, its printed plaid fabric about half an inch thick, under a shiny, sleazy, striped business suit. The sense of the character’s inability to read or articulate our cultural codes is perfect, and heartbreaking.

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