Gibson isn’t writing about the future anymore, as he did in Neuromancer. He is writing about the present as if it were the future — as if he were a time traveler to whom everything seems fresh and new and strange.
Gibson isn’t writing about the future anymore, as he did in Neuromancer. He is writing about the present as if it were the future — as if he were a time traveler to whom everything seems fresh and new and strange.