I felt strongly—still do—that for this show to work you could not have it be even 80 percent about the conspiracy. And the reason is, if you do that, then you’re gonna be chasing that story all the time and it will lead you. You will have to start blowing stuff up by episode seven. Episode four was the one that I thought was a crucial test, and I thought we passed it. In that one, there was only one scene even involving the conspiracy, which takes place, as a nod to Pakula, in an underground parking garage. The rest had to do with these people and what they do, and it worked terrifically, I thought. You need to be able to put the brakes on the conspiracy story. If you can’t put the brakes on the conspiracy story it will lead you and it will lead you badly.
Rubicon executive producer Henry Bromell | TV | Interview | The A.V. Club
– it’s exactly this sort of intelligence shining through that makes this a quietly spectacular show