For these troubled humans, the easy emotional satisfaction gained from technology is so gratifying that everything can be sacrificed on its behalf, including the autonomy of their inner lives. That is the nightmarish economic vision of Her: the distinction between production and consumption is meaningless, affective labor has spread from the office to the most private realms, and technology has become so sophisticated that the brutality of that economy vanishes into air. […] Just because there aren’t any killer robots around doesn’t mean you’re free. In Jonze’s all too plausible dystopia, we are enslaved not to robots but corporations, and the invisibility, even desirability of that enslavement is what makes Her so chilling.
Jason Farago, “‘Her’ is the Scariest Movie of 2013” http://www.newrepublic.com/article/116063/spike-jonzes-her-scariest-movie-2013 (via aeromenthe)