The Committee to Nuke Elysium

But the subliminals are shifting. A generation ago, network crime dramas featured private detectives who were lone outsiders, like The Rockford Files’ Rockford, or For Hire’s Spenser. Post 9/11, audiences seem to prefer heroes with government authority. Federal agents based in secret facilities, elite crime-fighting units with extralegal powers, fantastical technology, and commando-team backup are everywhere on primetime…

How are these calamities prevented? Electronic surveillance. A sinister Pakistani terrorist has an accomplice in Washington, D.C. A super-advanced surveillance device takes mere seconds to locate the accomplice and determine he is on the way to the Norfolk airport. (When he arrives, Washington-based NCIS agents are already present, disguised as airline employees—how they could get there first is never explained, but that’s a standard plot hole.) The well-dressed guys with the atomic bombs are tracked across Los Angeles by technology that apparently can detect fake accents from outer space. The woman with the bioweapon passes a closed-circuit security camera, and instantly the agents know her location.

On NCIS, info often comes from a particular tech staffer who can tap into any cell phone or video feed in mere seconds, never needing a password and never pausing for a judge’s permission. (She dresses Goth; she’s no Oliver North!) NCIS Los Angeles features two cool young techies who operate a never-explained super-computer that requires mere seconds to pinpoint any vaguely Middle Eastern-seeming person anywhere in the Golden State. Then the agents declare that if they have to stop to get a search warrant, the innocent will die…

In this respect, it’s somewhat spooky that NCIS Los Angeles is sponsored by Lockheed Martin, the world’s largest military manufacturer. As the credits roll, “Promotional consideration furnished by Lockheed Martin” appears in tiny type. Lockheed Martin does not market any consumer products—watchingNCIS Los Angeles cannot inspire anyone to log onto Amazon and purchase an F-35 strike fighter. Yet the firm underwrites the show, which makes itself seem hip with references to NPR and gay rights, then offers plotlines in which advanced wiretap technology is good for the public. For car companies to have product placements in detective drama is one thing; for military contractors to underwrite programming that lauds Big Brother tactics is another.