Prairie dogs and their ‘contagious’ Mexican wave explained

Prof Hare said: “This fits beautifully with work on primates, including humans, which suggests that contagious displays – like yawning – provide a window into the mind of others, suggesting of course, that species probing the minds of others are aware that they are distinct from those individuals. That is to say, they are consciously aware.”

The team concluded that the jump-yip is used to gather social information about others to judge the risk of reducing their own vigilance. If prairie dogs were convinced their neighbours were paying attention, they felt comfortable devoting more time to foraging for food.

Prairie dogs and their ‘contagious’ Mexican wave explained

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Neolithic mural may depict ancient eruption

Volcanic rock textures and ages support the interpretation that residents of Çatalhöyük may have recorded an explosive eruption of Hasan Dagi volcano. The dating of the volcanic rock indicated an eruption around 6900 BC, which closely overlaps with the time the mural was estimated to have been painted in Çatalhöyük. The overlapping timeframes indicate humans in the region may have witnessed this eruption.

Neolithic mural may depict ancient eruption

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jellyfishdirigible: m1k3y: Podcast discussing the Pig-Chimp Hybrid hypothesis in more depth. Which is basically this: Dr. Eugene McCarthy is a Ph.D. geneticist who has made a career out of studying hybridization in animals. He now curates a biological information website called Macroevolution.net where he has amassed an impressive body of evidence suggesting that human origins can be […]

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Afrofuturism: where space, pyramids and politics collide | Chardine Taylor-Stone

If there was ever a figure who was the embodiment of Afrofuturism it would be Jazz musician, Sun Ra, although to place him within the borders of a musical genre does not do him justice as an artist. With no legal birth certificate, it is believed he was born in the Jim Crow state of Alabama.

Sun Ra created a mythical, ethereal persona that merged science fiction with Egyptian mysticism, producing an otherworldliness that matched the music he made from the 50s to his death in 1993. Adding to his legend, he also claimed to not be of this Earth, explaining:


I never wanted to be a part of planet Earth, but I am compelled to be here, so anything I do for this planet is because the Master-Creator of the Universe is making me do it. I am of another dimension. I am on this planet because people need me.

Afrofuturism: where space, pyramids and politics collide | Chardine Taylor-Stone

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The more enlightened man will become, the less he will employ compulsion and coercion. The really civilized man will divest himself of all fear and authority. He will rise from the dust and stand erect: he will bow to no tsar either in heaven or on earth. He will become fully human when he will scorn to rule and refuse to be ruled. He will be truly free only when there shall be no more masters.

Alexander Berkman (via wolvensnothere)

Mission Statement

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