But then in an almost throw-away aside to Adam, he reflected that the modern Bond villain (and he might have added, villains in pop culture in general) is placeless, ubiquitous, mobile.

His hidden fortress is in the network, represented only by a briefcase, or perhaps even just a mobile phone.

Maybe it’s in the objects. It’s not the pictures that got small, but the places our villains draw they powers from.

Perhaps the architypical transformation from gigantic static lair to mobile, compact “UbiLair” is in the film Spartan, where Val Kilmer’s anti-heroic ronin carries everything he needs in his “go-bag” – including a padded shooting mat that unfolds from it to turn any place into a place where he holds the advantage.

[Snip… where to my delight he starts invoking Zeke Stane, already on this tag]

So – for a “4th generation warfare” supervillain there aren’t even objects for the production designer to create and imbue with personality. The effects and the consequences can be illustrated by the storytelling, but the network and the intent can’t be foreshadowed by environments and objects in the impressionist way that Adam employed to support character and storytelling.

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dress34 by brucesflickr on Flickr.

For instance, the Constrvct “Spine” dress is perfect for my blue plastic computer-generated shoes from “United Nude.” These angular Dutch shoes feature a low poly-count that makes them look like shoes off the set of Super Mario. I bought these “New Aesthetic” shoes mostly to irritate and intrigue Italians, who always notice people’s shoes. However, with the “Spine” dress, these shoes become a low-key ensemble.

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Heather Barrington, 27, and her husband Adam, 29, sure do. Fox News reports that the couple will deliver their baby among dolphins at The Sirius Institute in Pohoa, Hawaii.

The Sirius Institute describes itself as a “a research consortium with the purpose of ‘dolphinizing’ the planet.” They recently set up the Dolphin Attended, Water, Natural and Gentle Birth Center (DAWN), due to what they claim is an increasing demand on their web site for people looking to give birth near dolphins. The Sirius Institute claims that giving birth with dolphins is part of an ancient native Hawaiian practice.

The Barringtons, who have been together for 11 years, flew to the island last month to prepare for their unconventional “water-and-dolphin birth,” an idea sparked by the book The Ancient Secret of the Flower of Life by Drunvalo Melchizedek. Heather explained their choice to the South Charlotte News: “It is about reconnecting as humans with the dolphins so we can coexist in this world together and learn from one another.” She added, “Having that connection with the pod of dolphins anytime—even if the birth doesn’t happen in the water—still brings peace, comfort and strength to the mother and baby during labor.”

http://laist.com/2013/05/28/couple_plans_dolphin-assisted_birth.php

* now I am all for the extension of personhood and getting all hands, flippers and robot grippers on deck, but… wouldn’t an augmented octopus make for a better midwife?

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The French petrochemical industry had been funding Cousteau’s adventures but were sadly less concerned with studying the seabed and more interested in exploiting it. When it was found in later years that industrial tasks underwater could be done just as well if not more efficiently by robots than human divers, it was to be the end of Conshelf. Cousteau famously publicised his regret in working with the petroleum industry on his projects. He had hoped that his manned underwater habitats might serve as base stations for future exploration of the sea, but alas, his dream of installing his colonies in oceans across the globe was never achieved.

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Tweets out of Context

“James thinks it’s because all our tweets are being stored by the Library of Congress. He says the information density of that place warps space and time.”

Tweets out of Context

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“Who are these people?” wondered Don on behalf of the audience about the ragtag bunch of old-money Eurotrash. They’re trotting the globe living out a sexually and economically liberal lifestyle – they’re like Midge’s pals from series one, but with a boat in the harbour at Monaco. Hanging with the rootless, beautiful rich. Isn’t this Don’s fantasy?

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Next day David got out his tool chest. He made a little
unconscious ritual of it, like a duke inspecting his emeralds.
The toolbox weighed fifteen pounds, was the size of a large
breadbox, and had been lovingly assembled by Rizome craftsmen in Kyoto. Looking inside; with the gleam of chromed
ceramic and neat foam sockets for everything, you could get a
kind of mental picture of the guys who had made it-white robed
Zen priests of the overhead lathe, guys who lived on
brown rice and machine oil…

Pry bar, tin snips, cute little propane torch; plumbing snake,
pipe wrench, telescoping auger; ohm meter, wire stripper,
needlenose pliers … Ribbed ebony handles that popped off
and reattached-to push drills and screwdriver bits . . David’s
tool set was by far the most expensive possession they owned.

Islands in the Net by Bruce Sterling
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He grubbed around in his bag as he progressed past Grand on his way down the Bowery, walking in the glow from the electric showrooms of the many lighting stores fringing the street. He had a few pieces of dried squirrel meat in there, wrapped in plastic and cloth. The hunter, working by touch alone, claimed a small piece and reclosed the wrapping. He bit a morsel off and chewed, slowly and methodically, matching action to footfall. The flavor was somewhere between chicken thigh and rabbit. There was better squirrel to be had farther up the island; the animals in Central Park inevitably took in enough pollution to render their meat blander, and sometimes more bitter, than it really should have been. But it kept him moving, and it kept the saliva flowing, so that he avoided thirst and didn’t deplete his physical reserves.

THE HUNTER awoke gently from a peaceful sleep at the break of dawn, its rosy fingers softly touching his face as he slept beneath a great Central Park cypress by the water. He sat up, cross-legged, silent, breathing deeply as the rising sun warmed him. The hunter then stood, pulled some leaves from the cypress, crushed them in his hand to release their oils, and rubbed them under his armpits to minimize his odor.
Walking quietly around the park, he gathered cattail shoots from the water’s edge, lamb’s-quarter leaves, hen of the woods mushroom flesh, a little mountain mint, and wood sorrel, and he returned to his spot under the cypress to eat it with a piece of squirrel meat. He was always careful never to take too much from one plant. He was a hunter, and that meant he never knew when he might have to rely on foraging to live. The moment he allowed himself to believe that the movement of seasons was perfectly repeating and broadly predictable, he would be creating the conditions for his own death.

Gun Machine by Warren Ellis
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