This is the overall message George Miller brings us after a thirty year hiatus between Mad Max films: the apocalypse is not necessarily the end. No extinction event has ever been total. Humanity has neared the brink of annihilation before and rebounded. The cycle of history will always continue, but the key to avoiding another Fall involves dismantling the dominant paradigm; the Patriarchy. An incredibly liberal and feminine idea to find in what might otherwise be expected to be a purely testosterone-filled film. Again, to contrast this against the Fast & Furious films, which talk a lot about family, but are foremost about the bonds of brotherhood. Miller offers up an act of synthesis here, uniting the feminine and masculine aspects. Creating a piece of culture that serves as a landmark to chart a better way forward. The fact that it has evoked such a strong, visceral response from certain segments of the population tells us just how its much needed. For the rest of us it’s a visual feast with a message to be treasured, and a litmus test to identify fellow travellers.
I celebrate George Miller’s vision in weaving together such a compelling film that works so well on two levels, where others would have stopped at storyboarding and choreographing its amazing, complex, compelling action sequences. Mad Max: Fury Road is already being called a masterpiece with good reason.
Review: Mad Max – Fury Road | The Daily Grail
since wolvensnothere already helpfully posted the non spoiler intro, here’s the non spoiler conclusion to my review of Mad Max : Fury Road.
SO MANY SPOILERS IN BETWEEN THOUGH, SO READ THIS AFTER YOU’VE SEEN IT. THEN GO SEE IT AGAIN. THAT’S MY PLAN FOR THE REST OF MY LIFE.