In personal journals Butler admits Olamina is an idealized self, her “best self” — and the poetry that drives the Earthseed religion actually mirrors the style of the daily affirmations, self-help sloganeering, and even self-hypnosis techniques Butler used to keep herself focused and on-task.

The ultimate expression of “shaping God,” the culmination of human historical achievement Olamina calls “the Destiny,” likewise seems to parallel Butler’s deep-rooted psychological investment in science fictional speculation, which dates back to her childhood:

“The destiny of Earthseed,” Olamina prophesies, “is to take root among the stars.”

The two published Earthseed books trace the tribulations of Olamina’s early life and her efforts to find some safe space for her nascent utopian community in the desperate and increasingly fascistic America of the coming decades. But the last chapter of Talents skips ahead to the end of the story: jumping forward six decades, the epilogue sees a very aged Olamina, now world-famous, witnessing the launch of the first Earthseed ship carrying interstellar colonists off the planet as she’d dreamed.

Only the name of the spaceship gives us pause: against Olamina’s wishes the ship has been named the Christopher Columbus, suggesting that perhaps the Earthseeders aren’t escaping the nightmare of history at all, but bringing it with them instead.