Disaster Playground is a ‘theatre of cruelty’ as defined by Antonin Artaud, a platform where scientific catastrophe and/or surprise can be more acclaimed than success. This cross and pluri-cultural project will go beyond American and European frontiers and will question the notion of disasters, widely represented in the literature of J.G Ballard and will investigate rescue reactions across culture.
Disaster Playground, PART I: The Film, is about the scientists planning the monitoring and deflection of hazardous Near Earth Objects_NEO (asteroids). It attempt to address the complex decision-making involved in developing a coordinated international response to the challenge of protecting the Earth from NEO impacts. The thrust of the film follows a real-life procedure in place in the event of an asteroid collision with the earth. It depicts the chain of command necessary where only a few experts exist who understand the technology. Hollywood relied on Bruce Willis and a big drill to save the world in Armageddon, but how real is that and what needs to be done to save our civilization from the next major asteroid impact? The film explores aspects of planetary defense, such as Asteroid Deflection and Asteroid Capture, and showcases the work of the scientists’ pioneering missions to interact with asteroids and to accelerate efforts to detect, track, characterize, and mitigate the threat of potentially hazardous asteroids.
This sounds amazing.
New life goal: play a life-giving, panspermic asteroid in local production of a Dark Extropian, “theatre of cruelty” dramatization of existential risk.
“WE GIVE LIFE. WE TAKE IT AWAY.”
chorus chants: “PRAISE BE THE ASTEROID”
The Committee to Nuke Elysium 