Read moreIn Kubrick’s own words:
[Extraterrestrials] may have progressed from biological species, which are fragile shells for the mind at best, into immortal machine entities and then, over innumerable eons, they could emerge from the chrysalis of matter transformed into beings of pure energy and spirit. Their potentialities would be limitless and their intelligence ungraspable by humans. These beings would be gods to the billions of less advanced races in the universe, just as man would appear a god to an ant.
They would be incomprehensible to us except as gods; and if the tendrils of their consciousness ever brushed men’s minds, it is only the hand of god we could grasp as an explanation. Mere speculation on the possibility of their existence is sufficiently overwhelming, without trying to decipher their motives. The important point is that all the standard attributes assigned to god in our history could equally well be the characteristics of biological entities who, billions of years ago, were at a stage of development similar to man’s own and evolved into something as remote from man as man is remote from the primordial ooze from which he first emerged.
stanley kubrick
One of the Films on This Year’s Black List is an Alternate History of Stanley Kubrick Faking the Moon Landing
One of the screenplays inducted onto this year’s Black List (check out the complete list here) is by self-described “newbie” Stephany Folsom, and is intriguingly titled, 1969: A Space Odyssey or How Kubrick Learned to Stop Worrying and Land on the Moon (an obvious reference to both the title of Stanley Kubrick’s classic black-comedy satire from 1964, and to the director’s 2001: A Space Odyssey from 1968).
Folsom’s 108-page script (a drama) focuses on “Barbara,” a lone wolf working in the publicity department at NASA’s office in Washington, DC, in 1969. The story is an alternate history of how, as the Cold War rages, Barbara reaches out to and convinces acclaimed director Stanley Kubrick to work with NASA to fake the moon landing and one-up the Soviets.
“Hijinks ensue,” Folsom says.
The film is partly inspired by the famous conspiracy theory that Kubrick was recruited by the US government to direct a fake moon landing. “I’m a big conspiracy fan,” Folsom tells Mother Jones. “Now, I don’t necessarily believe in conspiracy theories—but I liked the idea.”
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The Committee to Nuke Elysium 