The Junkie Genius – James Parker – The Atlantic

warrenellis:

“Call Me Burroughs records a quasi-magical revenge attack on a Boulder deli from which two of his opiated friends had recently been thrown out. First, Burroughs arranged for a surreptitious tape recording to be made inside the deli—ambient noise, kitchen clatter, waitress-customer banter—and then, days later, with equal surreptitiousness, he played it back from a cassette recorder inside his coat as he sat at one of the tables. As Miles writes: “Over the next hour he increased the volume so that you could just about hear it, but no one appeared to notice.” Yet subliminal damage was being inflicted: discontinuous time streams, information feedback. “After forty-five minutes … one of the waiters threw down his apron and stalked out, followed by the owner, arguing loudly. The owner returned and began to scream at the serving staff, sending two of the women running to the ladies’ room in tears.” Burroughs, psychic vandal, was 63 years old at the time of this incident.”

The Junkie Genius – James Parker – The Atlantic

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warrenellis:

At The Farmhouse Sunday January 26, 6pm – 9pm @farmhouse ____ DESCRIPTION: In the intimate surroundings of The Farmhouse Barn, writer Warren Ellis sits down for a State Of The Weird, picking over the radioactive bones of 2013 and gathering the stories for a Briefing on the science-fiction condition of 2014. That night, he will be in the middle of writing a novella about futurists and a non-fiction book about the future of cities — except that they’re both also about strange history and Weird Shit — and he’s here to talk about deep time, storytelling and the weather of tomorrow. BIO:: Warren Ellis is the award-winning writer of graphic novels like TRANSMETROPOLITAN, FELL, MINISTRY OF SPACE and PLANETARY, and the author of the New York Times bestselling GUN MACHINE and the “underground classic” novel CROOKED LITTLE VEIN. The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. His GRAVEL books are in development for film at Legendary Pictures, with Tim Miller attached to direct. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He’s also written extensively for VICE, WIRED UK and Reuters on technological and cultural matters, and is co-writing a video project called WASTELANDERS with Joss Whedon. Warren Ellis is currently working on a non-fiction book about the future of the city for Farrar Giroux Straus. His newest publication is the digital short-story single DEAD PIG COLLECTOR, from FSG Originals. A documentary about his work, CAPTURED GHOSTS, was released in 2012. Recognitions include the NUIG Literary and Debating Society’s President’s Medal for service to freedom of speech, the EAGLE AWARDS Roll Of Honour for lifetime achievement in the field of comics & graphic novels, the Grand Prix de l’Imaginaire 2010, the Sidewise Award for Alternate History and the International Horror Guild Award for illustrated narrative. The Farmhouse : Barn Talks : 1 — Warren Ellis Shane Becker

Stand Up Deep Time History slash Hauntological Philosophy dot tumblr dot doge

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Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it ‘creative observation.’ Creative viewing.

William S. Burroughs, Ports of Entry: William S. Burroughs and the Arts (via inthenoosphere)
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