“The experience of a relatively easy 500 years of expansion and colonization, the constant taking over of new lands, led to the modern capitalist myth that you can expand forever,” Wright said. “It is an absurd myth. We live on this planet. We can’t leave it and go somewhere else. We have to bring our economies and demands on nature within natural limits, but we have had a 500-year run where Europeans, Euro-Americans and other colonists have overrun the world and taken it over. This 500-year run made it not only seem easy but normal. We believe things will always get bigger and better. We have to understand that this long period of expansion and prosperity was an anomaly. It has rarely happened in history and will never happen again. We have to readjust our entire civilization to live in a finite world. But we are not doing it, because we are carrying far too much baggage, too many mythical versions of deliberately distorted history and a deeply ingrained feeling that what being modern is all about is having more. This is what anthropologists call an ideological pathology, a self-destructive belief that causes societies to crash and burn. These societies go on doing things that are really stupid because they can’t change their way of thinking. And that is where we are.”
And as the collapse becomes palpable, if human history is any guide, we like past societies in distress will retreat into what anthropologists call “crisis cults.” The powerlessness we will feel in the face of ecological and economic chaos will unleash further collective delusions, such as fundamentalist belief in a god or gods who will come back to earth and save us.

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The Defense Advanced Research Projects Agency, or DARPA, is hoping to implement a global infrastructure for storing mission-critical objects and payloads at the “bottom of the sea”—a kind of stationary, underwater FedEx that will release mission-critical packages for rendezvous with passing U.S. warships and UAVs.

It’s called the Upward Falling Payloads program.

The “concept,” according to DARPA, “centers on developing deployable, unmanned, distributed systems that lie on the deep-ocean floor in special containers for years at a time. These deep-sea nodes would then be woken up remotely when needed and recalled to the surface. In other words, they ‘fall upward.’” This requires innovative new technologies for “extended survival of nodes under extreme ocean pressure, communications to wake-up the nodes after years of sleep, and efficient launch of payloads to the surface.”

As Popular Science describes it, it’s a sleeping archive of “‘upward falling’ robots that can hide on the seafloor for years [and] launch on demand.”

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The critic Michael J. Arlen recognized the profound moral implications of this arrangement more than 40 years ago: the manner in which, for example, the propagandistic early coverage of Vietnam helped build public support for the war. Like Trow, Arlen regarded television not as a window onto the actual state of the world but a set of corporate-carved keyholes offering fragmented and often misleading visions.

It’s painful to read Trow or Arlen today because their intuitions about the effects of visual mass media have proved so eerily prescient. Our latest innovation, the Internet, was hailed as an information highway that would help us manage the world’s complexity. In theory, it grants all of us tremendous narrative power, by providing instant access to our assembled archive of human knowledge and endeavor.

In practice, the Internet functions more frequently as a hive of distraction, a simulated world through which most of us flit from one context to the next, from Facebook post to Tumblr feed to YouTube clip, from ego moment to snarky rant to carnal wormhole. The pleasures of surfing the Web — a retreat from sustained attention and self-reflection — are the opposite of those offered by a novel.

We haven’t lost the capacity to tell stories. Artists and journalists and academics still work heroically to make sense of the world. But theirs are niche products, operating on the margins of a popular culture dominated by glittering fantasies of violence and fame. On a grand scale, we’ve traded perspective for immediacy, depth for speed, emotion for sensation, the panoramic vision of a narrator for a series of bright beckoning keyholes.

Once Upon a Time, There Was a Person Who Said, ‘Once Upon a Time’ – NYTimes.com

“unsure how they arrived in such a precarious place, and uncertain even how to tell the story that might make sense of their journey.”

(via new-aesthetic)

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“Bussing” is becoming a phenomenon in Britain, a grim choice for kids who, while not exactly homeless, are mostly not allowed or are too scared to go home very often. Unknown quantities of teenagers are spending their nights on buses, which are cheap (less than £5 on an Oyster card will get you around all night), instead of in a warm bed.

“So what’s the appeal?” I ask. “Why are so many young people doing this?” They all start bellowing again, keen to share their theories, but it’s the small, brown-eyed boy who has the most compelling one. “It’s legit, man. If you are in a shopping centre or even the fucking street, you can be moved on by anyone. But if you have an Oyster you’ve got a right to be here. No one can say shit.”
They all nod in agreement.
“Do you feel safer on a bus?” There’s an instant clamour to answer.
“Yes,” Kieran concedes. “From here you can see trouble coming. You’re less of a mug.” The notion of the bus as a watchtower both amuses and saddens me.

It’s getting on for 3am and Kieran announces that they will be getting off in a bit to “take care of something”. I don’t care to find out what this euphemism means but it leads me neatly to my next question: crime. There are vague, reluctant murmurs, with the vociferous defence that “crime is becoming the only option”. I ask them about last year’s London riots and most of them get a look on their faces like old hippies do when asked about Woodstock. The small one says to me angrily: “That was three fucking nights of the year my mum made me stay in!”

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Once the Dragon is attached to the forward Harmony module, the station’s robot arm will be used to pull the BEAM pallet from the cargo craft’s unpressurized payload bay and attach it to the aft hatch of the port-side Tranquility module, 90 degrees up from the familiar multi-window Earth-facing cupola compartment. The space station crew then will activate the BEAM’s pressurization system to inflate it.

Over the course of its two-year test run, instruments will measure its structural integrity and leak rate, along with temperature and radiation levels. The hatch leading into the module will remain mostly closed except for periodic visits by space station crew members for inspections and data collection. Following the test run, the module will be detached and jettisoned from the station.

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Two years ago, Brown attempted to teach Watson the Urban Dictionary. The popular website contains definitions for terms ranging from Internet abbreviations like OMG, short for “Oh, my God,” to slang such as “hot mess.”

But Watson couldn’t distinguish between polite language and profanity — which the Urban Dictionary is full of. Watson picked up some bad habits from reading Wikipedia as well. In tests it even used the word “bullshit” in an answer to a researcher’s query.

Ultimately, Brown’s 35-person team developed a filter to keep Watson from swearing and scraped the Urban Dictionary from its memory. But the trial proves just how thorny it will be to get artificial intelligence to communicate naturally. Brown is now training Watson as a diagnostic tool for hospitals.

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It’s called stealing or piracy, as if sharing a wealth of knowledge were the moral equivalent of plundering a ship and murdering its crew. But sharing isn’t immoral — it’s a moral imperative.

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Horsemeat accounted for approximately 29% of the meat content in one sample from Tesco. In addition, 31 beef meal products, including cottage pie, beef curry pie and lasagne, were analysed, of which 21 tested positive for pig DNA.

BBC News – Horsemeat found in beef burgers on sale in UK and Ireland (via iamdanw)
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“Coming up,” said Beard Number One, nodding to Beard Number Two, never once looking at Tallow. Together, they cut and smashed and wrapped the sandwiches in maybe twenty seconds. They’d gotten faster. Judging by the previous customer, Tallow thought word had really gotten around about the place. He imagined the pair training at night, listening to Animal Collective on repeat as they beat sandwiches into shape, racing against the same stopwatch they used to time their beard trimmings.

from page 155 of Warren Ellis’s brilliant new novel GUN MACHINE which you should already have in your hands reading. If you are too poor to buy one, request one from your local library.

(As an auxillary note, how long does it take for a novel in this day and age to be completely reproduced by people typing in quotes they liked from it? (or didn’t like.) How much of, say, Harry Potter or 50 Shades of Grey has been retyped and is out there, almost query-able and known but not quite and split in a dozen places by a thousand people? Is there that one shit sentence of an inordinatly popular book that has never been retyped?)

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My body is an electronic virgin. I incorporate no silicon chips, no retinal or cochlear implants, no pacemaker. I don’t even wear glasses (though I do wear clothes). But I am slowly becoming more and more a Cyborg. So are you. Pretty soon, and still without the need for wires, surgery or bodily alterations, we shall be kin to the Terminator, to Eve 8, to Cable…just fill in your favorite fictional Cyborg. Perhaps we already are. For we shall be Cyborgs not in the merely superficial sense of combining flesh and wires, but in the more profound sense of being human-technology symbionts: thinking and reasoning systems whose minds and selves are spread across biological brain and non-biological circuitry.

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