Lovelock would say that Earth is an organism. I disagree with this phraseology. No organism eats its own waste. I prefer to say that Earth is an ecosystem, one continuous enormous ecosystem composed of many component ecosystems. Lovelock’s position is to let the people believe that Earth is an organism, because if they think it is just a pile of rocks they kick it, ignore it, and mistreat it. If they think Earth is an organism, they’ll tend to treat it with respect. To me, this is a helpful cop-out, not science. Yet I do agree with Lovelock when he claims that most of the things scientists do are not science either. And I realize that by taking the stance he does he is more effective than I am in communicating Gaian ideas.

If science doesn’t fit in with the cultural milieu, people dismiss science, they never reject their cultural milieu! If we are involved in science of which some aspects are not commensurate with the cultural milieu, then we are told that our science is flawed. I suspect that all people have cultural concepts into which science must fit. Although I try to recognize these biases in myself, I’m sure I cannot entirely avoid them. I try to focus on the direct observational aspects of science.

Reblogging from my own post six months ago:

With endless respect to Lynn Margulis what she was articulating is the problem with science as it has been understood culturally for way too long. 

It’s been the opposite of religion. If scientists are going to transmit information — and that’s what they should be trying to do — then they should recognize the most effective form of compression for that information: stories. 

Yes, stories are lossy compression. They exaggerate this part over here, and leave out this other important idea. But the idea moves from one mind to many, and the utility of that transmission is as important as the idea that is being transmitted in the first place. 

It’s not easy, and maybe it’s not fair to ask it of scientists. But we need to ask it of science.

And it’s the best part of a scientist’s sensibilities that led Lynn Margulis to even publish that, clarifying that what she believes to be the best way to work may or may not be the most effective. RIP, Lynn Margulis. 

Lynn Margulis 1938-2011 “gaia Is A Tough Bitch” | Conversation | Edge

(via slavin)

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There is no right way, no pure way of doing it. There is just doing it,” he said. “We live in a post-authentic world. Today authenticity is a house of mirrors. It’s all just what you are bringing when the lights go down, its your teachers, your influences, your personal history. At the end of the day it’s the power and the purpose of your music that still matters.

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“We artists can only go so far as the people can follow us. We are not alone, we are part of the system. We can take risks, but if you want to go to the peak of your consciousness, you may very well find yourself alone. Even if you know how to translate what you see, maybe only ten people will be able to understand what you tell. But, if you have faith in your vision, and retell it again and again, you will start noticing that, after a time, more people will begin to catch up with you.” ~Jean Giraud / Moebius / Gir

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Trying to find yourself is a staple of the self-help literature, along with the striving for authenticity and building up your self-esteem. I probably wrote about authenticity and how you needed to practice it in my book** because way back in 2007, I thought it was a good thing, a necessary thing.

Now I’m convinced that’s all wrong. The self that matters isn’t some tightly defined, self-loving, individuated thing in the world. The self that matters is the mashed-up self, the networked self — the self made up of relationships and experiences and interactions and ideas. It’s way bigger and more powerful than the un-networked you.

These are some ideas I want to explore: combinatorial creativity, connectivist learning, the third person perspective in the creative process, and self-transcendence. What all these have in common is they all overturn the idea that the individuated self is primary…

…So we need to stop thinking so much about our individual selves — we need to transcend ourselves. Interesting that some of the most satisfied people combine a love of the new with persistence and self-transcendence. These seem like exactly the traits you’d need to succeed in a networked world. Neophilia (novelty-seeking, love of the new) draws you to new ideas, new people, and new experiences, giving you more material for the mashup that is you and the mashups you create. Persistence keeps you from being merely a dilettante, flitting from one new thing to another. And self-transcendence stops you from thinking that it’s all about you.

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“Ghost Rider was an entirely new experience, and he got me thinking about something I read in a book called The Way Of Wyrd by Brian Bates, and he also wrote a book called The Way Of The Actor,” said Cage. “He put forth the concept that all actors, whether they know it or not, stem from thousands of years ago—pre-Christian times—when they were the medicine men or shamans of the village. And these shamans, who by today’s standards would be considered psychotic, were actually going into flights of the imagination and locating answers to problems within the village. They would use masks or rocks or some sort of magical object that had power to it.”

OK, so it’s still not that weird as far as eccentric actors go, but then Cage finally gets down to the practical business of what he did to inhabit Ghost Rider.

“It occurred to me, because I was doing a character as far out of our reference point as the spirit of vengeance, I could use these techniques,” said Cage. “I would paint my face with black and white make up to look like a Afro-Caribbean icon called Baron Samedi, or an Afro-New Orleans icon who is also called Baron Saturday. He is a spirit of death but he loves children; he’s very lustful, so he’s a conflict in forces. And I would put black contact lenses in my eyes so that you could see no white and no pupil, so I would look more like a skull or a white shark on attack.

"On my costume, my leather jacket, I would sew in ancient, thousands-of-years-old Egyptian relics, and gather bits of tourmaline and onyx and would stuff them in my pockets to gather these energies together and shock my imagination into believing that I was augmented in some way by them, or in contact with ancient ghosts. I would walk on the set looking like this, loaded with all these magical trinkets, and I wouldn’t say a word to my co-stars or crew or directors. I saw the fear in their eyes, and it was like oxygen to a forest fire. I believed I was the Ghost Rider.”

– I kinda love you now Nic Cage
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In November, the SPHERES satellites were upgraded with “off-the-shelf” smartphones by using an “expansion port” Miller’s team designed into each satellite.

“Because the SPHERES were originally designed for a different purpose, they need some upgrades to become remotely operated robots,” said DW Wheeler, lead engineer in the Intelligent Robotics Group at Ames.

Wheeler added, “By connecting a smartphone, we can immediately make SPHERES more intelligent. With the smartphone, the SPHERES will have a built-in camera to take pictures and video, sensors to help conduct inspections, a powerful computing unit to make calculations, and a Wi-Fi connection that we will use to transfer data in real-time to the space station and mission control.”

In order to make the smartphones safer to use onboard the station, the cellular communications chips were removed, and the lithium-ion battery was replaced with AA alkaline batteries.

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The blimp’s for the canaille. They don’t have any balloon-busters, they just have IEDs and a narcoterror budget. The Blue Devil is what military aeronautics looks like when you’ve got absolute command of the sky.

Now,if you could build a really big Blue Devil, like a Fuller-Sphere geodesic version, and anchor it to the earth with carbon-fiber cables, and then install facial-recognition on the bottom and ultra-luxury malls inside? You’d have the kind of city implied by our financial situation. Rich guys in hemi-demi orbit, narco favelas on the ground.

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I can’t think of any reason why as a population we should be expected to stand by and see a gross reduction in the living standards of ourselves and our kids, possibly for generations, when the people who have got us into this have been rewarded for it – they’ve certainly not been punished in any way because they’re too big to fail. I think that the Occupy movement is, in one sense, the public saying that they should be the ones to decide who’s too big to fail.

As an anarchist, I believe that power should be given to the people whose lives this is actually affecting. It’s no longer good enough to have a group of people who are controlling our destinies. The only reason they have the power is because they control the currency. They have no moral authority and, indeed, they show the opposite of moral authority.

~ Alan Moore
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There’s a photo of a guy who got tattoos to match those found on Otzi, aka The Iceman, who died more than 5,000 years ago in the Italian Alps. Mike Goldstein, the guy who got the tattoo, said the series of 10 simple lines arranged in groups of four, three, and three served to remind him that you don’t have to be incredibly important during your lifetime in order to be important. “It reminds me that I can live however I want,” he says in the book. “I don’t have to work in an office or wear a tie, as are the expectations of our culture. I can walk across the Alps and die in a swamp, and that’s OK.”

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