It’s no accident that Spook Country references Wired almost immediately as Wired, as a lifestyle magazine, is specifically tailored not to the people who live the lifestyle depicted in Spook country (there aren’t enough of them to support a magazine, even one as full of adverts as Wired) but rather the people who wish they lived that lifestyle. Wired’s pages are full of adverts for high-end technology that you “need” from TVs to games consoles to business hotels with free WiFi and films on demand. Spook Country’s world is as aspitational as that of Wired.

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Our historical vision has been reduced to barely an arm’s length. We are so utterly wedded to free-market capitalism and the politics of identity through consumerism that when we want to express displeasure at the way society has turned out we are out of ammunition and reduced to slinging insults. When elections come around we have no interest in parties that would change the nature of our society and so we vote for the one who seems nicest or whose tastes and opinions on small issues most closely watch ours

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The tastes and habits of the world’s bohemias are real symbols of a certain way of life and way of thinking; there’s fidelity to a certain truth in the underlying reality, and that is how a Tokyo hipster can quickly recognize what might prove to be a kindred spirit in Buenos Aires or Austin. This kind of symbolism has been around since at least the time of Oscar Wilde, when the greenery-yallery aesthetes drifted about carrying “a poppy or a lily” (q.v. Gilbert and Sullivan’s Patience.) In the age of the Internet, though, that symbolic force has become just hugely magnified, because new symbols can penetrate the hive mind so quickly, and so deeply.

So today’s bohemians get in a big gang and live together, as they have for over a century at least; almost every city of any size in the Western world has at least one such neighborhood, and the big cities have many, each with its own flavor. In effect, though, all these places are the same place, like Solzhenitsyn’s “archipelago” (except not a prison camp for political dissidents): a series of far-flung islands but really one place, invisibly linked. In this case, residents of the archipelago value inventiveness, intelligence and taste over wealth and conformity; what Lethem is calling “connoisseurship.” There is lots of artw

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The sociologist Dr. Adam Possamai has coined the term “Hyper-Real religions” to describe them, and I’ll be coming back to that idea much more in later posts. Short version for now – people trying to seek meaning in a world where trust in traditional top-down belief structures has failed them often look for new myths to try and work out just who they are. They’re often a lot less picky about how ‘true’ something is for it to be ‘real’ to them… and there’s an awful lot of mythos to choose from these days. The end result – Otherkin, the Jedi religions and much else.

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as Steven Shaviro suggests in his book Connected, Roadside Picnic, like all science fiction, actually exists to cast a shadow over the present. “It shows us how profoundly haunted we are by what has not yet happened,” says Shaviro of science fiction writing. In the specific case of Roadside Picnic and Tarkovsky’s film, what had not happened yet was the Chernobyl disaster.

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Clothes just haven’t evolved fast enough to cope with the stuff we have to carry these days. Those large, technologically oriented gentlemen you sometimes see in fishing vests are trying to solve that problem. But they don’t look cool. There must be a stylish way to have many pockets – tactical practicality – without looking like you’re pretending to be an assassin.

These two thoughts seized me because I’d found it very hard, all evening, not to spend the whole time wondering where he’d [Gibson] got his jacket with the cool pen pockets on the forearm. And made me think that wheras his novels used to be manuals for building the future they’re now very stylish, extended product catalogues. Like Noir LL Bean. (Though that felt wrong – they’re much better than that.)

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Our planned module inside will not remind you of the ISS. A hotel should be comfortable inside, and it will be possible to look at the Earth through large portholes,“ he told RIA Novosti.

The hotel would be aimed at wealthy individuals and people working for private companies who want to do research in space, Mr Kostenko said.

It would follow the same orbit as the International Space Station.

The first module would have four cabins, designed for up to seven passengers, who would be packed into a space of 20 cubic metres (706 cubic feet).

BBC News – ‘Space hotel’ plan unveiled in Russia

This and Virgin Galactic.  There are over 1000 billionaires now, happy to blow a few lazy million on a more ‘economic’ trip to space.  Especially if it’s stylish.. and out of this world!

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The images of the EDL allegedly taking on Muslim fundamentalists on the streets of Britain is also delighting right wing religious organisations in US

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