The Boondocks – Known Unknowns.
“So, UnknownBinaries & I recently saw Limitless. Now the film’s animating premise is an old one, and you hear it in nearly every piece of science fiction concerned with human enhancement: we only use ten or fifteen or [insert number] percent of our brain or brain power or potential…or whatever. The science behind this trope isn’t strictly correct, mind you, but it’s not completely false either. It’s hard to talk about the operations of the brain without falling into the heavily loaded language of “efficiency,” “carrying capacity,” “throughput,” “processing power,” etc. The problem with all of that talk is that it’s directly tied to the ideas of production and consumption, which are values that come directly out of the mass-production developments of the techno-industrial revolution—and I don’t just mean the musical style. What I’m saying is these words taint and colour everything we do and every way we talk nowadays, and the reason I bring this up is so we can try to talk about the brain.
So, while we don’t know a lot about the brain, all told (or at least I don’t) one of the few things we know is that an abundance of certain chemicals in it can make it easier for us to think about more things, to make connections between those things, and to generally be better at learning, maintaining attention, and focusing. We can measure these things, if that’s important to you, and so, conversely, we can know that the lack or inhibition of these neurochemicals causes us to be…worse. Stupider. So take that as our starting point and we’ll get going from there.”
– Wolven on NeedCoffeeeeeeee.No, wolvensnothere. This is our starting point!
I still haven’t gotten to the part where you tell me whether or not I should waste my time with Limitless today.
Limitless is absolutely worth wasting your time on, today.
What Em Said—with all attendant caveats, as written.
Videos
The Forge: Hidden Dimension of Core Conditioning
“Only the strong body can afford to relax”
Peter Brook’s 1989 production of The Mahabharata part 1.
I just finished watching this in full and I think it might just be the best thing I’ve seen since El Topo (1970) and The Holy Mountain (1973). By way of Meetings with Remarkable Men.
For the next step on this journey I’ll be reading René Daumal’s Mount Analogue: A Tale of Non-Euclidian and Symbolically Authentic Mountaineering Adventures (excerpt here) and maybe coming down the mountain again with my buddy Zarathustra.
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bachelorette-pad-deactivated201:
Pumzi, written & directed by Wanuri Kahiu
Dans un Kenya futuriste, Asha, une jeune scientifique se décide à quitter lâentourage confiné de la ville a la recherche dâune Utopie verte.
In a futuristic Kenya, Asha, a young scientist decides to leave the confined environment of the city in search of a green utopia.
Awesome short.
The 100 trailer.
This ought to be a pure scrapheap space program/ruin porn/deep ecology apocalypse teen drama. Lord of the Flies meets Fallout.
At the very least it’ll be a space to think about that. And I’m kinda hoping it turns out hairshirt greens nuked earth.
But as plots go it needs moar extropianism (as in, some), and I wanna watch Earth 2 now.
Read moreCan we talk about how cop shows in all their forms are dramatisations of the immune system of the empire?

But how they also portray the search for truth.


But how procedural cop shows reinforce the delusion that every question has a ready, if surprising answer. that no crime, no mystery too whacky can’t be reduced to a flash back montage and with knowing knowing narration.
And how crimes themselves have become just another infotainment fodder.
How the nightmare of the poor and working poor.
Feeds the delusions of the middle class.
And the psychopathy of the elite.

Designed so that at the end of the day, the good citizens of Amerika and its colonies can go safely to sleep, because everything is UNDER CONTROL and there are no mysteries the machine can’t solve. Or at least answer.

At The Farmhouse Sunday January 26, 6pm – 9pm @farmhouse ____ DESCRIPTION: In the intimate surroundings of The Farmhouse Barn, writer Warren Ellis sits down for a State Of The Weird, picking over the radioactive bones of 2013 and gathering the stories for a Briefing on the science-fiction condition of 2014. That night, he will be in the middle of writing a novella about futurists and a non-fiction book about the future of cities — except that they’re both also about strange history and Weird Shit — and he’s here to talk about deep time, storytelling and the weather of tomorrow. BIO:: Warren Ellis is the award-winning writer of graphic novels like TRANSMETROPOLITAN, FELL, MINISTRY OF SPACE and PLANETARY, and the author of the New York Times bestselling GUN MACHINE and the “underground classic” novel CROOKED LITTLE VEIN. The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. His GRAVEL books are in development for film at Legendary Pictures, with Tim Miller attached to direct. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He’s also written extensively for VICE, WIRED UK and Reuters on technological and cultural matters, and is co-writing a video project called WASTELANDERS with Joss Whedon. Warren Ellis is currently working on a non-fiction book about the future of the city for Farrar Giroux Straus. His newest publication is the digital short-story single DEAD PIG COLLECTOR, from FSG Originals. A documentary about his work, CAPTURED GHOSTS, was released in 2012. Recognitions include the NUIG Literary and Debating Society’s President’s Medal for service to freedom of speech, the EAGLE AWARDS Roll Of Honour for lifetime achievement in the field of comics & graphic novels, the Grand Prix de l’Imaginaire 2010, the Sidewise Award for Alternate History and the International Horror Guild Award for illustrated narrative. The Farmhouse : Barn Talks : 1 — Warren Ellis Shane Becker
Stand Up Deep Time History slash Hauntological Philosophy dot tumblr dot doge
This Canadian contraption, called the Amphibious Trimaran with Aerostatic Discharge, is part fan boat, part hovercraft, and all awesome. It can cruise over water, up the beach and across terra-firma, and the guys who built it say it’ll do 75 mph over snow.